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Who I Am Not

There are a lot of Eric Rasmussens in the world, many of whom I’ve recently discovered are tilling the same fields that I am. I’ve seen Eric Rasmussens at work in journalism, law, literary criticism, polemics, music and fiction. That’s bound to create confusion.

Again, my full name is Eric Randolph Rasmussen. I’ve written a companion piece for this post telling you who I am. Out of respect for the other Eric Rasmussens, I felt the need to give you a list of the ones I am not:

Eric Ralph Rasmussen, pro baseball player.

This one seems pretty obvious. This was the only other Eric Rasmussen I’d ever heard of growing up. I never worried people would confuse us. I can barely pitch, catch or bat.

Eric David Rasmussen, physician, medical ethicist, humanitarian

Again, I’m not too worried about you getting us confused. This guy has an interesting career and is worth your attention.

Eric Rasmussen, writer, editor of Barstow & Grand

This Eric Rasmussen is a Wisconsin-based fiction writer and very nice guy who sent me a nice note and has an excellent blog and lots of excellent fiction. I do not wish to steal his thunder.

Why the confusion: We are both literary fiction writers. I do not see any novels on his resume (he mentions an unpublished manuscript), and I have never published any short stories (outside of a few bad experiments on my blog) but there are obvious reasons people are going to confuse us. For that reason, I have made sure to put “Eric Randolph Rasmussen” on most of my fiction, but that doesn’t mean you’re going to see it on my journalism.

Eric Rasmussen, jazz saxophonist, composer, band leader of the Eric Rasmussen Quartet, director of instrumental music at Scottsdale Community College

Alto saxophone player Eric Rasmussen has played with a number of big jazz names (you can find some of his music here), and his musical focus is jazz while mine is alternative rock and punk, but there are several reasons people might get us confused, especially if they knew me back in the day in Oklahoma.

Why the confusion: Several reasons. We have both been New Yorkers, we have both lived all over the country, we are both composers and we both play alto saxophone (though he actually worked at it his entire career while I gave it up for two decades). I have mostly stayed away from jazz on my albums, but Salon de la Guerre fans know that I have experimented with all sorts of genres, and I finally dipped my toe into jazz a few years ago, yanking out my long-dormant alto sax chops for the eight songs on Salon de la Guerre’s album Hot Tears. I also play alto sax on a song called “Red Clay Moses,” which you can hear on YouTube. Jazz sax player Eric Rasmussen deserves his many accolades, but Hot Tears and “Red Clay Moses,” a cross between jazz and Sonic Youth guitar, are all mine.

Eric Dean Rasmussen, associate professor of English literature at the University of Stavanger.

I first followed Eric Dean Rasmussen for a couple of reasons: He was a literature guy and, more important, he was the first of us with the cunning to grab the Ericrasmussen.com domain name. There can be only one, Highlander!

That said, most of his work, as far as I can tell, is literary criticism and theory, subjects I’ve studiously avoided since college. I never worried too much people would confuse us. Besides, he was in Chicago and then later, apparently, Norway.

Why the confusion: Still, we are both lovers of literature, and we both somehow at some point met with (and wrote about) famous superhero literary publisher Barney Rosset, founder of the Grove Press and publisher of Samuel Beckett and Henry Miller. Eric Dean met Rosset through his work at a literary organization. I met Rosset at a bar. Though the other Eric was seemingly better prepared for the encounter and knew more about Rosset to begin with, I must give myself some points for not misspelling Rosset’s name. (I have some advantages being a journalist.)

I see that Eric Dean and I also have a very tenuous connection through the website Altx.com. He has articles posted there, and I used to be associated with a literary magazine called Io that had links to the site as well.

Eric Rasmussen, internationally renowned Shakespeare scholar, foundation professor at the University of Nevada at Reno

Again, I wasn’t too worried about being mistaken for a Shakespeare scholar, though we are both authors and we are both on Amazon. He’s even on YouTube!

Eric Rasmussen, actor.

I took an acting class once and I’m enthralled by the subject, but I have mostly left that field to my wife.

Eric Rasmussen, professor of communication.

I don’t see much room for confusion here, though I do have a communications degree (in journalism) from the University of Texas, and it could be somebody somewhere gets us confused.

Eric Rasmussen, Twin Cities broadcast news investigative reporter, KSTP TV

This guy’s been in Boston and Minneapolis. I’ve never been in front of a camera, but we are both journalists.

Eric B. Rasmussen, business professor at Indiana University. This guy is known for tweets deemed by many to be sexist and racist, and the university itself has called his online sentiments “vile.” I won’t link to him, and I am only including him here because I want to make sure people never confuse me with this person.

I will leave it at that. I recall seeing other people with my name also pursuing music journalism (an old part-time vocation of mine) and statistics and hockey, but I’m not too worried about being confused with those people. I’ll add names to this list later if I think anybody is going to mix me up with someone else.

Who I Am

It was difficult growing up with the name “Eric Rasmussen” for a few obvious reasons. It’s a funny name for children to say, and given children’s talent for innovation, a fun name to mock. (“Raisin Muffin” was the sobriquet the junior high kids finally settled on for me.)

My name is now a problem for a different reason: It’s not anywhere near as as rare as many people think it is. “Rasmussen” is kind of like the Scandinavian “Smith.” and “Eric” is a natural fit for it. So not only are there tons of Eric Rasmussens in New York City (I even bumped into one at a party), but tons of them working in the same fields I work in–fiction, music, film and journalism. After I began recently releasing a slate of my novels, I realized there’s another Eric Rasmussen who writes short stories. He, like me, is published in several places.

I’m a hyphenate, which makes things more confusing. I’ve been working in at least four different media for years, subjects I’ve been passionate about since my teens. I never saw a reason not to pursue all of them at once, and I dare say I’m good at some of them. But to the outside world (and definitely to a career coach) it probably looks like I have multiple personality disorder.

So now I realize it’s become necessary to tell people both who I am and who I’m not. I talk about the latter in this companion piece. But for now, I’m going to give you my CV, if for some reason you get confused about which Eric Rasmussen you’re dealing with. My name is Eric R. Rasmussen. I grew up in Oklahoma, went to college in Austin, Texas, and have lived in New York City for three decades. I have a fairly large amount of content on the internet in multiple media.

Journalism

I’ve been a journalist since my college days. I focused first on arts and entertainment; in 1997, I started writing about finance. The following are the publications I’ve written for (if you see my name pop up in a different newspaper or magazine, it is not I):

The Daily Texan (the University of Texas student newspaper)
The Austin Chronicle
The Alcalde (The University of Texas alumni magazine)
Io magazine
Swing
magazine
Civil Engineering
Investment Management Weekly
Financial-Planning.com
Nurseweek
Financial Advisor magazine

Film

I ventured into filmmaking in 2006 with a series of shorts I made at New York University. I later created a web series with my wife from 2007 to 2009 and I’ve also written a few screenplays that I’ve entered into competitions. These are my works:

S&M Queen For A Day (2006)
Scrabble Rousers (2006)
The Retributioners (web TV series, 2007-2009)
Candy Rocks Doesn’t Grow Up (a screenplay and semi-finalist for the Austin Film Festival comedy screenplay competition in 2012)
“Lanternfly” (2021). This is a music video I made for the song of the same name off the Salon de la Guerre album Wings Made of Cash.

Music

I am the sole musical artist behind Salon de la Guerre, which released its 47th album in 2025. I worked on music through the 1990s, but didn’t start releasing definitive versions of my songs until 2007 on MySpace and didn’t start putting them out in album formats until 2012. As of December 2025,* I have released 611 songs (some of these are reprises within my classical albums, but I count only 12 or so of those).

I’m listing the albums here with the dates I published them on the streaming sites (these are not the copyright dates of the songs, some of which were written as far back as 1993). My albums are:

Time-Traveling Humanist Mangled by Space Turbine (2012)
Four-Track Demons (2014)
Diasporous (2014)
The Mechanical Bean (2014)
Toe-Tapping Songs of Pain and Loss (2014)
Your Eyes Have Mystic Beams (2014)
Clam Fake (2016)
Roses Don’t Push the Car Home (2016)
Gravitas: A Life (2016)
Liberty (2016)
The Church of Low Expectations (2016)
In the Lake of Feral Mermaids (2017)
The Widowhood of Bunny (2017)
Keep Your Slut Lamp Burning (2017)
Driver, Take This Cab to the Depths of the Soul (2017)
All Else Dross (2017)
Yipano (2018)
You’re Going To Regret What You Did (2018)
Bleed (2019)
Air Is a Public Good (2019)
From Sour To Cinnamon (2019)
Infinity Boy (2019)
Golem Vs. Duende (2020)
Hot Tears (2020)
Bring An Open Mind To A Broken Heart (2021)
Hugs for Mountains (2021)
Digital Moon (2021)
The Black Sheep Symphony (2021)
Cold For Mars (2021)
The Dog Opus (2021)
Wings Made of Cash (2021)
Stereoisomer (2022)
Even Toy Dogs Get the Blues (2023)
Uncle Ernie’s Progress (2024)
Citizen Wet Smack (2024)
No One Hears a Zen Busker (2024)
The Tug Fork War (2024)
How Do You Bleep? (2024)
Standing Close To Power and Catching Its Cold (2024)
Faint Heart (2024)
Resting Horse Face (2025)
Rump Heart (2025)
Betrayed (2025)
The Family From Kongsberg (2025)
The Green, Green Gas of Home (2025)
Everything’s Fine (2025)
Carnival (2025) 

Fiction

I’ve been writing fiction for well over two decades; however, for many reasons, most of them banal, my novels sat unpublished on my computer for years. In 2019, that all changed: I began releasing my novels as e-books on Amazon, with the hopes of releasing the paperback versions on the platform later on. As of August 2025, all ten of my novels are now available on the site. The books are mostly comic, though they also stretch into historical fiction and absurdism.

Here’s the complete list (I’ve listed the dates I released them on Amazon, though many of these books were finished in the early 2010s):

Zip Monkey (2019)
Detective J (2019)
Letters to My Imaginary Friend Leticia (2019)
Traffic Waitress (2019)
Did it End? (2019)
American Banjo (2019)
The Ghost and the Hemispheres, Vol. 1 (2020)
The Ghost and the Hemispheres, Vol. 2 (2020)
The Ghost and the Hemispheres, Vol. 3 (2020)
The Silly Dreams of Shallow Sleep (2025)

Poetry

My big plan as a teenager was to be a poet, and though I gave up on it for several years, I’ve got a few dozen poems to my name now, and I’m considering putting out a collection in book form at some point. The vast majority of my poems were never published except for here on this blog you are reading. However, I did get a few bits into the college literary magazine back in the day:

Analecta 1989-1991 (the University of Texas literary and arts journal)

The Blogosphere

Beauty is Imperfection is the blog you are reading right now. I started posting these little musings on MySpace in late 2006 and switched over to WordPress in 2009, moving a lot of the MySpace content over after seeing that the latter platform was dying.

As my long-suffering readers know, even in my blogging life, I’m something of a schizophrenic. For its first few years, Beauty Is Imperfection was a comedy blog with lots of Top 10 lists and other silliness, most of which was meant to help create buzz about my web series, The Retributioners. In 2010, my mother died, and the blog took on a more somber tone, and I also started posting a lot of political material to give the world a taste of my long-stifled polemical voice. My posts have been infrequent in the last few years; occasionally I post new poetry, but otherwise I use the blog to let people know about all these many other projects I’m working on.

Hopefully, this post gives you a more complete picture of me. I rarely talk about these projects with friends and colleagues, mostly because I’m not the bragging sort, I don’t like to shove art down people’s throats and I know how much great, perhaps better art is out there that I’m competing with. I’m offering this summary of my career mostly to help people navigating the internet avoid confusion if they see a name like mine and don’t know whom they are dealing with.

For the record, I haven’t written any plays.

*Updated December 22, 2025

Did It End coverI have just published a new novel, Did It End? now available on Amazon.com.

A happily married couple find their lives turned upside down by the husband’s first taste of literary success. Is it still possible for two people who have grown so well together to keep doing so now that their priorities, goals, dreams and desires have so utterly changed? And who does the dishes now?

Bob Henderson is a creative writing teacher who fusses over words too much while trying to push out depressing novels. His down-to-earth wife pushes him to write crass commercial screenplays instead. One of them, a frat douche comedy, surprisingly sells.

The couple is uprooted from New York and land in L.A. where all hell starts to break loose. After years of playing by the rules of good behavior, they both suddenly start acting out in surprising and horrible ways.

It’s a book about sudden money syndrome, the danger of finding your dreams fulfilled, and the real possibility of losing your enlightenment after spending so long trying to gain it.

The book has comic elements but like my last outing, Traffic Waitress, it’s a bit more serious and a bit more into examining human behavior.

The book is now currently available only as an e-book. I plan on publishing this and all my other books in paperback form through Amazon’s publishing platform later this year.*

This is the fifth book I’ve published this year, and I’ve got two more coming (actually four, since I’ve split one of them into a trilogy). Did I really write nine books this year? No. I started all these books many years ago and spent years tweaking them as I played footsie with various agents. They all seemed to develop together and I’m perversely inclined to drop all of them on the world at once. Sorry about that! But if you’re so inclined, please enjoy!

(*Update: As of February 2020, I have still not finished uploading all my novels in e-book form, and I have had to push back my plans to publish them in paperback. While this is still my plan, I’m going to keep that deadline open-ended.)

BleedSalon de la Guerre has just released its 19th album, Bleed. It’s a collection of punky, poppy and occasionally soulful songs that sometimes drifts into country-ish singing and which features at least one of my out-of-control guitar solos.

The album is now available on Amazon, iTunes, CD Baby and Spotify, among many other music streaming services in the U.S. and abroad.

I can’t speak for comparisons, but my friends say the album reminds them of Mark Lemhouse, the Pixies and/or Black Francis, Sugar and/or Bob Mould and Matthew Sweet. If you’d asked me, I would have said that I’d had the Rolling Stones, Roxy Music, X and (yes) the Pixies in mind, but only because I always have these groups in mind when I’m doing anything. I have two songs where the harmony vocals are probably the major attraction and I think I sound a little like Seals & Crofts. Not something I would have planned. At some point, your inspiration and direction must compromise with the reality of your voice and what it does well. I often wish I had a Sonic Youth voice, but I don’t really.

I wrote, performed and produced the album and I’m responsible for all the sounds and solos, some of which are on actual guitar, some of which make use of Apple’s wonderful Garage Band software for the iPhone.

Here is a sample of one of the new songs, with lyrics:

“Praise Javelin” by Salon de la Guerre
Music and Lyrics By Eric Rasmussen
Copyright 2019

Now the time has come to praise javelin
Civil war is now your brand
Biblical violence and the handshake of a salesman
A peaceful finger turn to warful hand

Sky worshipper protecting the land
Easy to use; easy to understand;
You see crosses and cross the land

You turned to homicidal ideation
When the masses came and turned on your man
You speak cant and speak the tongues of babble land
Fashion words into a fisted hand

Sky worshipper protecting the land
Easy to use; easy to understand
Biblical violence is now your brand

Where pretty baby did you get that complex?
Was it the woody finish of a vintage wrath?
Praise the father and his heart full of GORE-TEX
Praise the mother made of wire and cans

Sky worshipper protecting the land
Easy to use; easy to understand;
You see crosses and cross the land

There’s a scrap of the prophecy in my hand
No longer tied to the ideals of my homeland
There’s a scrap of the prophecy in my hand
And in my dreams, I inherit nothing but sand

 

What early characters were written out of George R.R. Martin’s finished drafts of A Song of Ice and Fire, the books behind HBO’s Game of Thrones?

–*Ser Talwyn, the Regifter

–*Queen Birgit the Apostate

–*Ser Warren the Insipid

–*Ser Mountain, Son of Molehill

–*The Pastry Knight

–*Ser Mantos the Sterile

–*Ser Dentos, the Impacted

–*Ser Eryl the Unweaned

–*Braven the Frotteurist

–*Magon the Unimpressive

–*Ser Fallos the Medium Talent

–*Ser Siddy the Umbrage-Taker

–*Ser Ballis the Huggy

–*Pollox, the Smart if Poor of Judgment

–*Tolyn Fuckjoy

–*Mirris Prepucepincher

–*Flavius Scroatworthy

–*Cousin Oliver

–*Fedon the Wood Respecter

–*Ser Color Swatch

–*Eleanor of Screwtown

–*Talys the Unbrassiered

–*Koros the Unclasper

–*Wondish the Pre-diabetic

–*Faleish of the Husks

–*Mellish of the Duck Lands

–*Dropcup

–*Fallmud

–*Burnface

–*Feliox the Hyperactive

–*Matten the Attention Deficit Disordered

–*Mentos, the Freshmaker

 

My novel TrafficTraffic Waitress Cover 3 Waitress is now available on Amazon.com as a digital book. I hope to be releasing the paperback version of the novel within the next few months.

Traffic Waitress is a series of eight interconnected stories that follow a group of outer-borough New Yorkers from different ethnic and socioeconomic backgrounds during a few crazy months in the late 1990s and early 2000s. Many of them struggle to a certain extent with their cultural identities. We meet a man who grew up an Orthodox Jew but has left the faith and is now alienated from his family. We meet a Japanese-American college student who tends to flee from what he’s good at and needs a few months to flounder personally before he goes off to med school. We meet a former runway model and Harvard grad who gave up her uptown life to be a rock ‘n’ roll groupie. We meet a stripper who refuses to identify as gay even though she finds herself repeatedly falling in love with women. We meet a closed-off computer geek whose bottled up feelings about Sept. 11 lead him on a bizarre journey in a rental car.

From the book description: “Outer-borough New York is changing at the turn of the 21st century, and eight people from different cultural backgrounds and socioeconomic groups crash into each other in strange ways, as they flail about in their personal ambitions and life’s inevitable sorrows.”

I originally wrote Traffic Waitress in 2005; it’s been sitting on my computer getting tweaked for more than a decade. I’ve put the official copyright at 2012, though I’m not sure how correct that is.

But as always … if you’re into it …

The cover design is by Corey Brian Sanders.

Letters To My Imaginary Friend Leticia coverAs longtime Beauty Is Imperfection readers might remember, I used to run a serial work on this blog called “Letters to My Imaginary Friend Leticia.” I promised one day that it would turn into a novel, and now it has. I’ve just released it on Amazon as a digital book, and hope to release it in paperback form in the upcoming months. It’s about a frustrated New York trade magazine writer who longs to be a poet and sends letters of his failures to his ideal woman.

The book’s description:

“He’s not a frustrated poet yet, but he’s working hard at it. A writer in 1990s New York suffering from delusions of literary grandeur ends up writing for a concrete and sewage trade publication. His ideals cannot be crushed, however, and they wrap themselves around a wraith-like feminine figure whose imagined perfection he hopes to one day live up to.”

I originally wrote some 26 entries for “Leticia” on this blog. To comply with the exclusivity requirement on Amazon’s KDP Select platform, I have taken down all but two of the original posts. (You can still read the first one here.) For the novel, I have added much to the original story, including a couple of recurring characters.

The cover art is, again, by my friend Corey Brian Sanders.

A New Song

I’m introducing a new song from my forthcoming album Bleed. Written, performed and produced by moi.

“Slow Combine”
By Eric Randolph Rasmussen
Copyright 2019

Show the kids you don’t know your place
The kids are having a harvester race
Trying to win the love of the girl next door
One of you is rich and the other one is poor

Put the combines down and press your bets
Check the gas and check your gears
Make sure that the engine is oiled
And that you’ve controlled your fear

You reap what you sow
And live off what you plant
The combines went out of control after that
No one foresaw what would happen next
The poor boy ran over her parents

Foot on the pedal
You drive that combine harvester
Drive that harvester
But don’t hit the buildings
Don’t rip what you sow
Don’t reap what you plant
Don’t run over people like the ants
Like the ants
Like the ants

Don’t knock down a building
Don’t destroy city hall
And don’t drive drunk
When you climb up on your harvester
You might raze a city
You might raze a town
And that would bring
Everybody down

Zip Monkey Cover 2My novel Zip Monkey is now available as an Amazon e-book and should be available in paperback version in the next few months.

The plot:

Angel Bimini is a former pornographic actress who has reinvented herself as a private detective. She’s hired by a buffoonish client who insists he’s being stalked by a girlfriend. It so happens, this Ralph works at the local medical research university in Secaucus, New Jersey. Not only has the university attracted unwanted attention for its animal testing … but it has a serious cash flow problem. Angel hopes this job will be an easy $1,000. The next thing she knows, somebody is shooting up her office. Even stranger is that a witness swears the job was carried out by an adult male chimpanzee.

Zip Monkey‘s other characters include Christina Brostrom, a failed ballet dancer who has realized that medical research and grant fraud might have been her true calling, and Leila Barents, a primatologist who feels a little bit too possessive about her animals and a little too misanthropic toward the world of humans.

The cover was designed by Corey Brian Sanders.

In the next few months, I’ll be releasing an album of pop and rock songs entitled Bleed. Although I’ve been focusing mostly on my novels for the past few months, I did manage to get a slate of new songs recorded earlier this year and I hope to get them out once I fine-tune some of them. Here’s one of the instrumentals, “Egg Moon,” which I wrote, produced and performed on electric guitar. Enjoy.