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Archive for the ‘Salon De La Guerre’ Category

Another song from my album Air Is a Public Good.
Music and lyrics by Eric Randolph Rasmussen.

“Under the Wing”

The devil now I know walks among us
The devil has a condo on Lake Tahoe

I would never know the path
That bell I can’t unring
And the devil had me under his wing

I was selling real estate
To a couple from Sulphur Springs
And the devil had me under his wing

They wanted more than a town house
They wanted to share their lonely love
With me

And now I know the darkness
And now I know the need
And the devil had me under his wing

They wanted to use my body
And prey on my clean living
And the devil had me under his wing

God you can’t sell real estate in this
Sinful town
Heaven don’t have a toilet for fallen angels like me

They wanted to use my body
And prey on my clean living
And the devil had me under his wing

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A song from my album Air Is a Public Good.

Music and lyrics by Eric Randolph Rasmussen.

 

Bet her life on No. 4:

“Nothing Like A Dame”

And ever since she won

The woman’s life is not the same

 

Throw the past behind you

Never let lies reach you

Throw the past behind you

Never let lies reach you

 

Suddenly she’s found herself

A kind, forgiving hand

Enough to change her address

And her name and her homeland

 

Throw the past behind you

Never let lies reach you

Everyone forgets you

Do what you must do

 

She’ll go to where she’s free

To break some hearts and raise some Cain

She’ll never have to take men’s shit

Or ever take their names

 

Throw the past behind you

Never let lies reach you

Suddenly she’s found herself

A kind, forgiving hand

 

I’m not the marrying kind

I want to see a painted desert

I’m not the marrying kind

I want to see a painted desert

And unwind

You can’t define me

 

I’m not the marrying kind

I want to see a desert

And unwind

You can’t define me

Or live inside my mind

 

Now I have the capital

And have a map to find the pines

I want to see a painted desert

And unwind

 

Her sister tracked her down and found her

Deep inside the pines

And said you are plumb crazy

Leaving everyone behind

 

Nobody to reach you

Without the social values

Nobody to teach you

Nobody to get through

 

But she said that I’m happier

To leave behind it all

A bitter race of humans

Bury me just where I fall

 

No one ever said you

Didn’t stick to values

No one ever said that you

Didn’t have a thought too

 

 

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Pointing to the surprise eggs hatching toys and puzzles

Helicopter to the rescue; found out about my Hot Wheels

Daddy, how will it ever rise the plane outside my window?

Cause the airfoil will lift it up, son, and that thought makes him humble

 

Daddy’s dancing, parts the dance floor like the Red Sea

Because I could not stop for death, he kindly did the cabbage patch for me

 

Plastic saucer spinning down

Snow cakes up the mountain

A toddler picks his daddy up

Someone had to be in charge then

Remember to keep pedaling, faster when you’re falling

 

Zipper ride, airboat, ice skates, checkers, Cyclone, teacup ride

Race with trains, jump from airplanes to keep the kid inside

 

I get slow and you get fast, but I work so hard to keep up

A threatening hill and a crashing bike, it’s OK just a little blood

And he hates sleep there’s a brittle moon and he cries cause he won’t see it

That’s OK—you’re sad right now but a new day will come and you can rise and greet it

 

It’s OK, we don’t have to play you can stare outside the window

There’s a whole world inside your head, much more than you’ll ever know

But I teach you and then you teach me things that I forgot from pride

I help you and you help me; don’t forget to keep a kid inside

 

Don’t forget Dad that you have to keep the kid inside

 

–Eric Rasmussen

(These are lyrics from my 2019 song “A Kid’s Inside,” from Salon de la Guerre’s upcoming pop-rock album, From Sour to Cinnamon.)

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From Sour To CinnamonThis might be a little surprising, since I just released an alt-country album two months ago, but my “band” Salon de la Guerre is now refreshed and relaxed after its (um, OK, my) vacation to Florida and is ready to rock again.

Perhaps it was five days of splashy pastels and silly amusement park rides, but I started writing pop songs on the plane ride home and soon had 11 of them to package into a new album. I pulled out the guitar a couple of weeks ago for the song I’ve attached here, a paean to youth and optimism and joy and nostalgia. Not the usual Salon de la Guerre stomping grounds, I’m sure you longtime (sometime, anytime?) fans will agree. It kind of sounds like something out of the ’90s, right?

“A Kid’s Inside” is slated to appear on my next album, From Sour To Cinnamon, a work of dark pop songs that I’m finishing up now. This is not only my 21st album, but the one that helped me mark a new milestone: my 300th songwriting credit.

Please enjoy this taste of my next phase. Because let’s face it, by the time you’ve digested it, I’ll probably be in another phase.

(FYI: My gifted 8-year-old son Xander helped me with the artwork on the new batch of songs.)

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Salon de la Guerre’s 20th album, Air Is A Public Good, hits the music services today. It’s my first album dedicated entirely to country music. You can now find it on Amazon, iTunes and Spotify. Enjoy!

And if you’d like a more long-winded explanation about why I made a country music album (it has nothing to do with “Old Town Road,” no disrespect) please feel free to read my post on the matter from last week.

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There are a lot of Eric Rasmussens in the world, many of whom I’ve recently discovered are tilling the same fields that I am. I’ve seen Eric Rasmussens at work in journalism, law, literary criticism, polemics, music and fiction. That’s bound to create confusion.

Again, my full name is Eric Randolph Rasmussen. I’ve written a companion piece for this post telling you who I am. Out of respect for the other Eric Rasmussens, I felt the need to give you a list of the ones I am not:

Eric Ralph Rasmussen, pro baseball player.

This one seems pretty obvious. This was the only other Eric Rasmussen I’d ever heard of growing up. I never worried people would confuse us. I can barely pitch, catch or bat.

Eric David Rasmussen, physician, medical ethicist, humanitarian

Again, I’m not too worried about you getting us confused. This guy has an interesting career and is worth your attention.

Eric Rasmussen, writer, editor of Barstow & Grand

This Eric Rasmussen is a Wisconsin-based fiction writer and very nice guy who sent me a nice note and has an excellent blog and lots of excellent fiction. I do not wish to steal his thunder.

Why the confusion: We are both literary fiction writers. I do not see any novels on his resume (he mentions an unpublished manuscript), and I have never published any short stories (outside of a few bad experiments on my blog) but there are obvious reasons people are going to confuse us. For that reason, I have made sure to put “Eric Randolph Rasmussen” on most of my fiction, but that doesn’t mean you’re going to see it on my journalism.

Eric Rasmussen, jazz saxophonist, composer, band leader of the Eric Rasmussen Quartet, director of instrumental music at Scottsdale Community College

Alto saxophone player Eric Rasmussen has played with a number of big jazz names (you can find some of his music here), and his musical focus is jazz while mine is alternative rock and punk, but there are several reasons people might get us confused, especially if they knew me back in the day in Oklahoma.

Why the confusion: Several reasons. We have both been New Yorkers, we have both lived all over the country, we are both composers and we both play alto saxophone (though he actually worked at it his entire career while I gave it up for two decades). I have mostly stayed away from jazz on my albums, but Salon de la Guerre fans know that I have experimented with all sorts of genres, and I finally dipped my toe into jazz a few years ago, yanking out my long-dormant alto sax chops for the eight songs on Salon de la Guerre’s album Hot Tears. I also play alto sax on a song called “Red Clay Moses,” which you can hear on YouTube. Jazz sax player Eric Rasmussen deserves his many accolades, but Hot Tears and “Red Clay Moses,” a cross between jazz and Sonic Youth guitar, are all mine.

Eric Dean Rasmussen, associate professor of English literature at the University of Stavanger.

I first followed Eric Dean Rasmussen for a couple of reasons: He was a literature guy and, more important, he was the first of us with the cunning to grab the Ericrasmussen.com domain name. There can be only one, Highlander!

That said, most of his work, as far as I can tell, is literary criticism and theory, subjects I’ve studiously avoided since college. I never worried too much people would confuse us. Besides, he was in Chicago and then later, apparently, Norway.

Why the confusion: Still, we are both lovers of literature, and we both somehow at some point met with (and wrote about) famous superhero literary publisher Barney Rosset, founder of the Grove Press and publisher of Samuel Beckett and Henry Miller. Eric Dean met Rosset through his work at a literary organization. I met Rosset at a bar. Though the other Eric was seemingly better prepared for the encounter and knew more about Rosset to begin with, I must give myself some points for not misspelling Rosset’s name. (I have some advantages being a journalist.)

I see that Eric Dean and I also have a very tenuous connection through the website Altx.com. He has articles posted there, and I used to be associated with a literary magazine called Io that had links to the site as well.

Eric Rasmussen, internationally renowned Shakespeare scholar, foundation professor at the University of Nevada at Reno

Again, I wasn’t too worried about being mistaken for a Shakespeare scholar, though we are both authors and we are both on Amazon. He’s even on YouTube!

Eric Rasmussen, actor.

I took an acting class once and I’m enthralled by the subject, but I have mostly left that field to my wife.

Eric Rasmussen, professor of communication.

I don’t see much room for confusion here, though I do have a communications degree (in journalism) from the University of Texas, and it could be somebody somewhere gets us confused.

Eric Rasmussen, Twin Cities broadcast news investigative reporter, KSTP TV

This guy’s been in Boston and Minneapolis. I’ve never been in front of a camera, but we are both journalists.

Eric B. Rasmussen, business professor at Indiana University. This guy is known for tweets deemed by many to be sexist and racist, and the university itself has called his online sentiments “vile.” I won’t link to him, and I am only including him here because I want to make sure people never confuse me with this person.

I will leave it at that. I recall seeing other people with my name also pursuing music journalism (an old part-time vocation of mine) and statistics and hockey, but I’m not too worried about being confused with those people. I’ll add names to this list later if I think anybody is going to mix me up with someone else.

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It was difficult growing up with the name “Eric Rasmussen” for a few obvious reasons. It’s a funny name for children to say, and given children’s talent for innovation, a fun name to mock. (“Raisin Muffin” was the sobriquet the junior high kids finally settled on for me.)

My name is now a problem for a different reason: It’s not anywhere near as as rare as many people think it is. “Rasmussen” is kind of like the Scandinavian “Smith.” and “Eric” is a natural fit for it. So not only are there tons of Eric Rasmussens in New York City (I even bumped into one at a party), but tons of them working in the same fields I work in–fiction, music, film and journalism. After I began recently releasing a slate of my novels, I realized there’s another Eric Rasmussen who writes short stories. He, like me, is published in several places.

I’m a hyphenate, which makes things more confusing. I’ve been working in at least four different media for years, subjects I’ve been passionate about since my teens. I never saw a reason not to pursue all of them at once, and I dare say I’m good at some of them. But to the outside world (and definitely to a career coach) it probably looks like I have multiple personality disorder.

So now I realize it’s become necessary to tell people both who I am and who I’m not. I talk about the latter in this companion piece. But for now, I’m going to give you my CV, if for some reason you get confused about which Eric Rasmussen you’re dealing with. My name is Eric R. Rasmussen. I grew up in Oklahoma, went to college in Austin, Texas, and have lived in New York City for three decades. I have a fairly large amount of content on the internet in multiple media.

Journalism

I’ve been a journalist since my college days. I focused first on arts and entertainment; in 1997, I started writing about finance. The following are the publications I’ve written for (if you see my name pop up in a different newspaper or magazine, it is not I):

The Daily Texan (the University of Texas student newspaper)
The Austin Chronicle
The Alcalde (The University of Texas alumni magazine)
Io magazine
Swing
magazine
Civil Engineering
Investment Management Weekly
Financial-Planning.com
Nurseweek
Financial Advisor magazine

Film

I ventured into filmmaking in 2006 with a series of shorts I made at New York University. I later created a web series with my wife from 2007 to 2009 and I’ve also written a few screenplays that I’ve entered into competitions. These are my works:

S&M Queen For A Day (2006)
Scrabble Rousers (2006)
The Retributioners (web TV series, 2007-2009)
Candy Rocks Doesn’t Grow Up (a screenplay and semi-finalist for the Austin Film Festival comedy screenplay competition in 2012)
“Lanternfly” (2021). This is a music video I made for the song of the same name off the Salon de la Guerre album Wings Made of Cash.

Music

I am the sole musical artist behind Salon de la Guerre, which released its 47th album in 2025. I worked on music through the 1990s, but didn’t start releasing definitive versions of my songs until 2007 on MySpace and didn’t start putting them out in album formats until 2012. As of December 2025,* I have released 611 songs (some of these are reprises within my classical albums, but I count only 12 or so of those).

I’m listing the albums here with the dates I published them on the streaming sites (these are not the copyright dates of the songs, some of which were written as far back as 1993). My albums are:

Time-Traveling Humanist Mangled by Space Turbine (2012)
Four-Track Demons (2014)
Diasporous (2014)
The Mechanical Bean (2014)
Toe-Tapping Songs of Pain and Loss (2014)
Your Eyes Have Mystic Beams (2014)
Clam Fake (2016)
Roses Don’t Push the Car Home (2016)
Gravitas: A Life (2016)
Liberty (2016)
The Church of Low Expectations (2016)
In the Lake of Feral Mermaids (2017)
The Widowhood of Bunny (2017)
Keep Your Slut Lamp Burning (2017)
Driver, Take This Cab to the Depths of the Soul (2017)
All Else Dross (2017)
Yipano (2018)
You’re Going To Regret What You Did (2018)
Bleed (2019)
Air Is a Public Good (2019)
From Sour To Cinnamon (2019)
Infinity Boy (2019)
Golem Vs. Duende (2020)
Hot Tears (2020)
Bring An Open Mind To A Broken Heart (2021)
Hugs for Mountains (2021)
Digital Moon (2021)
The Black Sheep Symphony (2021)
Cold For Mars (2021)
The Dog Opus (2021)
Wings Made of Cash (2021)
Stereoisomer (2022)
Even Toy Dogs Get the Blues (2023)
Uncle Ernie’s Progress (2024)
Citizen Wet Smack (2024)
No One Hears a Zen Busker (2024)
The Tug Fork War (2024)
How Do You Bleep? (2024)
Standing Close To Power and Catching Its Cold (2024)
Faint Heart (2024)
Resting Horse Face (2025)
Rump Heart (2025)
Betrayed (2025)
The Family From Kongsberg (2025)
The Green, Green Gas of Home (2025)
Everything’s Fine (2025)
Carnival (2025) 

Fiction

I’ve been writing fiction for well over two decades; however, for many reasons, most of them banal, my novels sat unpublished on my computer for years. In 2019, that all changed: I began releasing my novels as e-books on Amazon, with the hopes of releasing the paperback versions on the platform later on. As of August 2025, all ten of my novels are now available on the site. The books are mostly comic, though they also stretch into historical fiction and absurdism.

Here’s the complete list (I’ve listed the dates I released them on Amazon, though many of these books were finished in the early 2010s):

Zip Monkey (2019)
Detective J (2019)
Letters to My Imaginary Friend Leticia (2019)
Traffic Waitress (2019)
Did it End? (2019)
American Banjo (2019)
The Ghost and the Hemispheres, Vol. 1 (2020)
The Ghost and the Hemispheres, Vol. 2 (2020)
The Ghost and the Hemispheres, Vol. 3 (2020)
The Silly Dreams of Shallow Sleep (2025)

Poetry

My big plan as a teenager was to be a poet, and though I gave up on it for several years, I’ve got a few dozen poems to my name now, and I’m considering putting out a collection in book form at some point. The vast majority of my poems were never published except for here on this blog you are reading. However, I did get a few bits into the college literary magazine back in the day:

Analecta 1989-1991 (the University of Texas literary and arts journal)

The Blogosphere

Beauty is Imperfection is the blog you are reading right now. I started posting these little musings on MySpace in late 2006 and switched over to WordPress in 2009, moving a lot of the MySpace content over after seeing that the latter platform was dying.

As my long-suffering readers know, even in my blogging life, I’m something of a schizophrenic. For its first few years, Beauty Is Imperfection was a comedy blog with lots of Top 10 lists and other silliness, most of which was meant to help create buzz about my web series, The Retributioners. In 2010, my mother died, and the blog took on a more somber tone, and I also started posting a lot of political material to give the world a taste of my long-stifled polemical voice. My posts have been infrequent in the last few years; occasionally I post new poetry, but otherwise I use the blog to let people know about all these many other projects I’m working on.

Hopefully, this post gives you a more complete picture of me. I rarely talk about these projects with friends and colleagues, mostly because I’m not the bragging sort, I don’t like to shove art down people’s throats and I know how much great, perhaps better art is out there that I’m competing with. I’m offering this summary of my career mostly to help people navigating the internet avoid confusion if they see a name like mine and don’t know whom they are dealing with.

For the record, I haven’t written any plays.

*Updated December 22, 2025

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BleedSalon de la Guerre has just released its 19th album, Bleed. It’s a collection of punky, poppy and occasionally soulful songs that sometimes drifts into country-ish singing and which features at least one of my out-of-control guitar solos.

The album is now available on Amazon, iTunes, CD Baby and Spotify, among many other music streaming services in the U.S. and abroad.

I can’t speak for comparisons, but my friends say the album reminds them of Mark Lemhouse, the Pixies and/or Black Francis, Sugar and/or Bob Mould and Matthew Sweet. If you’d asked me, I would have said that I’d had the Rolling Stones, Roxy Music, X and (yes) the Pixies in mind, but only because I always have these groups in mind when I’m doing anything. I have two songs where the harmony vocals are probably the major attraction and I think I sound a little like Seals & Crofts. Not something I would have planned. At some point, your inspiration and direction must compromise with the reality of your voice and what it does well. I often wish I had a Sonic Youth voice, but I don’t really.

I wrote, performed and produced the album and I’m responsible for all the sounds and solos, some of which are on actual guitar, some of which make use of Apple’s wonderful Garage Band software for the iPhone.

Here is a sample of one of the new songs, with lyrics:

“Praise Javelin” by Salon de la Guerre
Music and Lyrics By Eric Rasmussen
Copyright 2019

Now the time has come to praise javelin
Civil war is now your brand
Biblical violence and the handshake of a salesman
A peaceful finger turn to warful hand

Sky worshipper protecting the land
Easy to use; easy to understand;
You see crosses and cross the land

You turned to homicidal ideation
When the masses came and turned on your man
You speak cant and speak the tongues of babble land
Fashion words into a fisted hand

Sky worshipper protecting the land
Easy to use; easy to understand
Biblical violence is now your brand

Where pretty baby did you get that complex?
Was it the woody finish of a vintage wrath?
Praise the father and his heart full of GORE-TEX
Praise the mother made of wire and cans

Sky worshipper protecting the land
Easy to use; easy to understand;
You see crosses and cross the land

There’s a scrap of the prophecy in my hand
No longer tied to the ideals of my homeland
There’s a scrap of the prophecy in my hand
And in my dreams, I inherit nothing but sand

 

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I’m introducing a new song from my forthcoming album Bleed. Written, performed and produced by moi.

“Slow Combine”
By Eric Randolph Rasmussen
Copyright 2019

Show the kids you don’t know your place
The kids are having a harvester race
Trying to win the love of the girl next door
One of you is rich and the other one is poor

Put the combines down and press your bets
Check the gas and check your gears
Make sure that the engine is oiled
And that you’ve controlled your fear

You reap what you sow
And live off what you plant
The combines went out of control after that
No one foresaw what would happen next
The poor boy ran over her parents

Foot on the pedal
You drive that combine harvester
Drive that harvester
But don’t hit the buildings
Don’t rip what you sow
Don’t reap what you plant
Don’t run over people like the ants
Like the ants
Like the ants

Don’t knock down a building
Don’t destroy city hall
And don’t drive drunk
When you climb up on your harvester
You might raze a city
You might raze a town
And that would bring
Everybody down

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In the next few months, I’ll be releasing an album of pop and rock songs entitled Bleed. Although I’ve been focusing mostly on my novels for the past few months, I did manage to get a slate of new songs recorded earlier this year and I hope to get them out once I fine-tune some of them. Here’s one of the instrumentals, “Egg Moon,” which I wrote, produced and performed on electric guitar. Enjoy.

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