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Posts Tagged ‘Amazon’

Congratulations to me! The 47th album by my musical act Salon de la Guerre has just hit the streaming services, and unlike the somber piano album I unleashed just a week ago, this new one is a bit more upbeat and radio friendly (dare I dream that anybody will play this on a radio).

The latest album is called Carnival and it’s now available for digital download on all the major streaming platforms, including Amazon, Apple Music, Pandora, Bandcamp, YouTube and Spotify.

As I said in a recent blog post, this latest album of upbeat rock and alternative songs is where you get to hear me learn how to play the drums in real time, kind of the way you heard me learn to play piano in previous outings. So you can take that as a nervy statement of purpose or an apology.

See, I never had a real drum set on previous Salon de la Guerre records; instead I’ve turned to drum loops and beats I programmed myself on Logic Pro X, GarageBand or Cubase. Lately, however, I wanted to expand the dimensions of my sound a bit, make the songs sound less mechanical and the production of the songs a bit more “roomy.” And as I said earlier this month, I thought some people out there might reject my music simply because it had no real drums.

What’s my personal experience with drumming? Precious little except by osmosis: I was in marching band in high school and while I didn’t play the drums, my sister did, and I was for a long time on a quest to figure out how the magic of drumrolls went down. I bought a pair of my own drumsticks almost 30 years ago, but I’ve never had anything to beat with them except a few cardboard boxes (I hear the Byrds did that in the beginning). Given the quality of the drum loops on modern software—as well as the fact I don’t have a band or a soundproof room in my apartment, and furthermore that I don’t keep time very well—I largely gave up on the idea of real drums until this last autumn, when a kid told me at a high school open house that there were drum rooms in New York City. I realized I could simply take my laptop and a microphone to one of them and experiment.

I’m happy with the results and think I’ve made a fun work that doesn’t sound like anything I’ve done before. The Stonesy flush of “Drink Mee” (the album’s first “single,” as it were) finds me working even without the help of a metronome, and after hearing what I did on the rhythm track here, I decided to go big with a falsetto vocal. I hope you like that instinct, and if not, I apologize in advance.

The idea again: If I’m keeping it fresh for myself, my gamble is that I’m making it fresh for listeners. You can be the judge.

Lyrically, Carnival is a bit of a party album, but since it’s me and I always try to bring a novelist’s sense of irony and wrongness, there’s always going to be a bit of sour with the sweet. As I say on Bandcamp, “The songs look into feelings of anticipation for festive and better times but also know something about the hangovers that come after the fun.”

Meanwhile, I’ll have to humble-brag a bit: With the release of Carnival, I now have almost 600 songs in circulation online. Yes, you can actually go count them (if you’re doing your due diligence).

The entire album Carnival, like its predecessors, was composed, performed and produced by yours truly at my home studio, except, in this case, for the drum tracks, which were recorded at the Rivington Music Rehearsal Studios in lower Manhattan. All the work was done over the autumn of 2025.

The cover photo is by Susan Daniels.

I hope you enjoy it. Here’s a taste from YouTube:

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My album The Green, Green Gas of Home has been reviewed on the website Pitch Perfect. I’ve been reviewed a few times by this writer, Dino DiMuro, and always appreciate his insights. He really seems to like it when I pull my guitar out, and sometimes I feel I owe him another album of mostly guitar songs. Maybe soon!

You can now find The Green, Green Gas of Home available for streaming on services such as Pandora, Amazon Music, Apple Music, Bandcamp, YouTube and Spotify, among other many other platforms both domestic and global.

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Salon de la Guerre’s new punk album, Digital Moon, will be available in the next few weeks. Thirteen loud, fast songs about life in our confused times. Some of it I played on guitar, some of it is fabricated with my clever software.

I am still polishing the album, but this is what marketers call “creating pre-awareness.” So consider yourselves pre-aware.

As usual, all the songs were written, performed and produced by yours truly.

The album will be available on Amazon, iTunes, Spotify, Bandcamp and other platforms where music is (still) sold.

Here’s a sample:

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Salon de la Guerre’s 20th album, Air Is A Public Good, hits the music services today. It’s my first album dedicated entirely to country music. You can now find it on Amazon, iTunes and Spotify. Enjoy!

And if you’d like a more long-winded explanation about why I made a country music album (it has nothing to do with “Old Town Road,” no disrespect) please feel free to read my post on the matter from last week.

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Driver, Take This Cab to the Depths of the SoulMy 13th album, “Driver Take This Cab to the Depths of the Soul,” by my musical act “Salon de la Guerre,” is now available on iTunes, Amazon, Spotify, CD Baby and other sites were music is sold or streamed.

I began this year, like all decent people, in a funk over the direction our country had taken, the amorality of Donald Trump’s election and the violent rhetoric that had become the mainstay of Republicanism only some 30 years after Ronald Reagan’s sunny optimism. I wondered how a person who lied so easily to stupid people, in a populist idiom familiar to failed states, had somehow managed to become the leader of a country whose institutions are often reliably immune to such behavior. I wondered how to tell my child that a person who had spent his campaign bullying, blustering, threatening vulnerable minorities and flirting with treason had somehow succeeded with those very traits to wangle his way into the Oval Office. I wondered if telling my child to be a good human being was still possible, desirable in the world Republicans had bequeathed us.

The only way I could think to deal with our new anomie was to become a better guitar player.

After all, telling people the truth and demonstrating to them exactly how they are wrong–these are somehow no longer satisfactory ways to make change. As I’ve stated elsewhere, any person appealing to a Trump voter is effectively arguing with the person’s Dad. A Bad Dad who has kept this person a child-hostage of abstractions and made him repeat them well into the adulthood, often long after said Bad Dad is in the grave. Hiding Americans’ sins and Dad’s racism are two such abstractions and the pain of disloyalty for the hapless Trump supporter is as close to him as his skin.

Since the violence of the Antifa school doesn’t work to advance decency, and since the current Republican-controlled Congress will ensure that Trump, who is already manifestly guilty of obstruction of justice, flies above the law as easily as whistling, I have no hope for his quick removal, deserved as it is.

I wrought my despair into art. Some of the first few things I wrote for this album were so bad and so angry and shrill that I left them off. But then I found a groove with a song called “Cain and Abel,” a morality tale about the rationalizing of murder and the cost of getting away with it–if there is any. A couple of nasty anti-Trump lyrics remained in other songs, but I noticed as I worked that the album’s tone became sunnier. It seems that I had redeemed myself by making art, if I couldn’t redeem the world.

Why should you care? The good news is, you don’t have to! I’ve achieved things I’m greatly proud of on this album, recorded the best guitar instrumental I might ever play in my life, wrote some probing lyrics that went beyond despair and shrill polemics. The victory is personal and belongs to me. If other people want to hear it, bless them, but I don’t force my music down anyone’s throat. If you, dear reader, are a fan of my stuff, I hope I can still make you happy even as I go off in different directions.

As I describe it on my CD Baby page, “the new album is a collection of pop songs, piano pieces, free form electric guitar jams and weird electronica made in order to navigate our tough political and spiritual times.” I made a switch to electronic music last year and recorded most of my last four albums in Garage Band, using computer instruments. Here, I reintroduce my guitar (which, I learned after a long period of being scared of the idea, can actually be plugged into an iPhone thanks to some clever electronics makers). It was about the same time that I discovered my ability and desire to do fast-finger runs on a guitar, which I think gives the electronic stuff more excitement and dimension.

I don’t think Donald Trump fans will object to these songs, since there are few outright insults. (You can read those on this post!) My greatest desire with my music, if I have any, is to encourage other people to make art–which anybody can do–or if not that, find new things they were capable of that they didn’t know about. Why is it important to me? Because it makes them better people. It reminds them of the constructive acts they are capable of, the creativity and imagination and empathy they’ve always had as gifted mammals crawling out of the caves. The pride a Donald Trump offers them is as ephemeral and cheap as the kiss of a prostitute. While some 63 million Trump voters painfully learn that lesson, it’s important for all of us to remember we can continue to work on things that make us feel good about ourselves. Giving to charity. Helping out our brothers and sisters in distress in Houston and Puerto Rico and Florida. Telling our children to do the right things and not hate–because that still matters. And becoming excited about the next thing around the corner. I found that ability very, very late in life. A cure for bitterness. And I won’t let the current political environment ruin that.

If you’re into it … my first single off the new album.

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