In a few days, I’ll be releasing another album on the major music platforms. This one’s an ambient album and it’s called Cold For Mars. I’ve avoided making ambient albums in the past because I felt they were too easy to create, and if I were to pursue that line indefinitely, I could be making 20 albums a year and producing even more noise pollution than I do now. That’s not to say I don’t greatly admire acts like Four Tet and Bonobo and Oneohtrix Point Never. And I love Brian Eno’s ambient albums, of course. Furthermore, I understand the great need people have for albums with a hallucinatory effect and their need to chill out to them.
I suppose I could have called my album Golem Vs. Duende ambient, but it was closer to industrial and I’m not sure it’s something anybody chilled to.
In any case, I’ve released the latest album early on Bandcamp, and you can find it there if you’d like to sample it and decide if it’s your thing.
As usual, I composed and recorded the album myself at my home studio in New York City. I conceived of, recorded it and mastered it over the course of eight days. (My other albums this year took quite a bit longer, that includes my next album, Wings Made of Cash–a pop work that is taking a bit more time to fuss over.)
Beauty is Imperfection 
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