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Posts Tagged ‘Salon De La Guerre’

As my regular readers/friends/family members/acquaintances/co-workers/fellow Masons known, I am not much of a self-promoter. Oklahomans, a group I sheepishly sometimes admit I once belonged to, don’t like boasting and are sometimes almost pathologically polite and self-deprecating. A sometimes nice quality that keeps us from being Texans–that and a lack of ambition. Anyway, that’s why I create so much material and generally suck at telling people about it. I have this self-defeating idea sometimes that people don’t want to have art shoved down their throat, they want to discover it themselves, which in a way makes it partly theirs. I ought to know that’s stupid, since people regularly take the stuff forced on them by radio as if it’s good when some of it is worthless. And yet shoving people against the wall and saying “Hey, look at my stuff!” always feels to me like I’m being obnoxious, coercive, self-centered and narcissistic. It’s worse when I run into a person who has no problem bragging about his novel in progress, which is going to send him to heights of Olympian glory any day now, and I’m too sheepish to admit that I’ve written a few of them

That’s one of the reasons I let Stephanie do most of the promotion on “The Retributioners,” our hysterically funny if currently moribund Web show. But unfortunately, I don’t have that luxury in my novel-writing career, where I am forced all by my lonesome to look for agents and publishers in squeaky, mousy-voiced little query letters that rarely if ever show the sum of my talents.  I’ve started this process again recently after parting ways with my literary agent and I’m getting used to the rejections all over again. Do you remember the scene at the beginning of “Paradise Lost” where dogs are eating out the bowels of one of the fallen angels? That’s what it feels like trying to sell a novel, just in case you’ve never tried it. Every time I run into a little failure with my ventures, though, I do an honorable thing–I simply start a new project. A new song, a new book or a new screenplay–before the sting of the rejection can hit. Believe me, this shit is starting to pile up, and I’m starting to think that I’m going to drop dead with mountains of work that nobody will ever read or hear or see. That leads to a more self-defeating attitude: Well, maybe everybody will get it when I’m dead and in the meantime I’ll stay happily anonymous.

Stupid, I know.

So, in the interest of promoting myself again, I’m going to focus a bit on my music in this post. As far as I know from my odometer readings (?) on this here WordPress site, I get approximately ZERO hits on my music. Really! I count maybe five click-throughs in the past year total. Maybe the stats page doesn’t count right. Could that possibly be it?

My first reaction to this silence was that my music must suck so bad nobody is polite enough to tell me. I took it like I took all the rejection of the book world: I’ve failed to make an impression, time to move on. I know I can’t sing well and my production is off, and my time-keeping is also a little messy. I finally sent out one tune to some friends to get their reactions. I’d say I got four positive reactions and two lukewarm reactions.

Then earlier this year I played all my stuff for an actual musician who said that, barring my bad time-keeping on the drum machine (a pet peeve of his) my stuff was certainly worthy of hearing, if not nominating for a Grammy. Then another musician seconded that, and then a third. So I tried an experiment–listening to it from other people’s computers. Turns out, a lot of the time I couldn’t open the files, which required users to download QuickTime. Could it be that nobody even had a chance to reject my stuff?

So now I ponder: Do I dare ask you, my dear readers, who came here seeking comedy and or Republican-bashing, to listen to my music one more time?  If you are willing to, then I’m making the journey easier for you: I’ve finally opened up an account with Sound Cloud. This player is meant not just to share music but to be interactive–it allows users to make comments on parts of the tracks they don’t like. But the best thing for me is, it doesn’t require you to download files to your computer. You can just press the big, candy-like button here:

Leaving Babylon

In the interest of space and a clean layout, I’ve moved all these Sound Cloud files to a new tab on my home page, which you can see at the top of the menu or which you can click on here. (You can also check out my Sound Cloud profile page, but I don’t like it as much because I can’t control the format or song order.) Not all my music is on Sound Cloud, just 13 of what I consider the best songs. If I start getting some decent hits, then I’ll upload more of the music, and if I get a lot of hits, I’m going to start going into promotion mode–sending out free MP3 files with my complete album “Time Traveling Humanist Mangled By Space Turbine” to anybody who requests it. Here’s a sample of the art work, created by my friend Corey Sanders:

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Another weird offering from ER Salo Deguierre. My first country song. Sort of.

It was inspired by some of the more interesting weirdness I was subjected to as a young person growing up in a certain southern-western-Midwestern state.

I have to apologize to those who are having trouble hearing my music. I get few responses on it, so I just assumed nobody was listening to my self-indulgent noodlings. But then somebody told me recently that part of the problem is my files are hard to open with this horrendous WordPress version of Quicktime. If that’s the case, I’m very sorry, dear Beauty is Imperfection reader, and I will try to figure out an alternative in the future. I’m a bit tech challenged, though, something I’ve discussed on a few posts here, and so far my efforts to embed something cooler like SoundCloud have been all for nought.

As usual, all sounds and music made by yours truly.

“Alice Ploughshare”
By ER Salo Deguierre

When I walked in the head I found you tweaking
Shivering with a mirror and a straw
I wrapped you up and covered you in blankets
Bloody as the day that you were born

When Interstate 41 turns to Interstate 32
That’s where every trucker’s dream becomes a nightmare
But I still love you
Alice Ploughshare
You were out there stealing my anhydrous
I could not shake you
With your vacant stare
Just the kind of love I always I needed

Did you see those contents under pressure?
When you mixed them up inside that tub?
Did the police hear the lab explosion?
When they were rousting you outside the club?

With your pupils dilated
You’re still stocking Sudafeds
Making cocktails with the cowboys in the drive-thru

But I won’t share you
Alice Ploughshare
Eighteen months of hard-time prison labor
Can I come see you?
You smell like burning hair
Only 30 minutes with no touching
They won’t possess you
Alice Ploughshare
Together we can draw blood from a stone.

Was this love a match we made in heaven?
Or simply one we made down in Ardmore?
Your teeth rotting out and mine just browning
Another year I can’t give up the Skoal.

Though your eyes were black and dead
Your teeth falling out your head
We had more happiness than any two folks had a right to

But chains don’t bind you
Alice Ploughshare
I saw you run away when you malinger
But then I chased you
Through carnivals and fairs
Heaven just a pipe between your fingers

And I won’t share you
Alice Ploughshare
Tweaking all the way to Texarkana
And I still love you
Alice Ploughshare
It never ever seemed you could stop talking

Image: Simon Howden / FreeDigitalPhotos.net

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