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Posts Tagged ‘Pink’

–*Whitney Houston’s premature death casts a pall over the proceedings, and reminds us not only that a huge hunk of talent has left us, but that large amorphous, clumping chunks of mediocrity have not.

–*Pink, Kanye West, Jay-Z and Betty White are conspicuous by their absence.

–*Cross-genre power duets are  kind of like the All Star Game. Why would we want to watch  talented people perform badly just to titillate 13-year-olds?

–*Oh, yeah. This is the Grammys.

–*Suze Orman says variable annuities are a scam. Sorry, I changed the channel there.

–*Chris Brown makes mediocrity his bitch, slaps that mediocrity and rides it like the mediocre whore she is. You could say he rules the mediocrity.

–*Adele wins for best pop vocal for “Someone Like You.” You might remember that as the song that was great 10,000 listenings ago.

–*L.L. Cool J says a prayer for Whitney Houston and tries to turn the Grammys from a sad event into a celebration of music. Bruno Mars turns it back into a sad occasion.

–*How in the hell does Steve Van Zandt zip around the world to tour with the E. Street Band, shoot the show “Lilyhammer,” and still have time to serve humanitarian causes? I guess you really do have a lot of time on your hands if you refuse to play “Sun City.”

–*Student loan debt cannot be discharged in bankruptcy, says Suze Orman. … Sorry, I really wasn’t into that Kelly Clarkson duet with what’s his name.

–*L.L. Cool J is so cool he can ably and confidently lead us through this emotionally confusing moment, when celebration meets loss, in a way that merits comparison with the modernist verse of a William Butler Yeats or the comforting, avuncular, telegenic presence of James Garner on “Eight Simple Rules …”

–*The ceremony of innocence is drowned. If we are lucky, it will drown out that Maroon 5 song about Mick Jagger.

–*Never underwrite anything, says Suze.

–*The Grammys has become expansive enough to include new categories including “Best Grunge,” “Best Gansta Rap,” “Best New Artist Who Is Likely To Die in a Drug Related Incident” and “The Best Bad Music.”

–*We can feel comfortable that even though Bruce Springsteen’s songs are starting to sound the same, at least his energetic performances are still giving him good cardio burn.

–*It’s probably good that Jay-Z is not here, since his bodyguards tend to keep people away from places it’s appropriate for them to be, whether it’s parents trying to get into the Lenox Hill neonatal care unit or Adele trying to get to her Grammy.

–*The Beach Boys’ reunion happens under a cloud–Whitney Houston’s death and Maroon 5’s continued existence.

–*You can’t argue with Adele’s outrageous success. And yet it keeps arguing with you, even after it has made its point, feeling the need to follow you into every grocery store, every Starbucks, every bank and even into your home and onto your television. This sore winner will not stop trying to win the argument.

–*”Beach Boys’ Marooned.” “Maroon 5 Beached.” The possibilities are endless.

–*This just in: Brian Wilson and Keith Richards still alive.

–*Katy Perry and Lady Gaga, with their odd costumes, bizarre technical difficulties and strange agitprop, remind people of Madonna, but increasingly ought to remind people of Andy Kaufman.

–*We all seem to forget that Amy Winehouse died this year, too. Thanks, Whitney, for upstaging Amy when it was her time to shine as the prematurely dead substance abuser of the moment. Does Winehouse get no respect even in death?

–*Taylor Swift is so elegant she belongs in a perfume ad. No, really. She belongs only in a perfume ad.

–*Justin Vernon of Bon Iver thanks everybody who has won a Grammy and people who will never win a Grammy, his agents, his mom and dad and the people his have worked with … . Barbers who shave themselves, barbers who do not shave themselves. Musicians who have never won and who will never be considered for winning. … You know if he just thanked everybody who drew breath, he’d probably cut down on this acceptance speech … but no, according to Godel’s incompleteness theorem, there are still people he will likely not have thanked… did he mention he didn’t think he deserved to be there?

–*The best thing about the Grammys, as we listen to a variety of rap, country, rock, soul and jazz, is that we can all get together in a relaxed atmosphere and agree that we hate each other’s music.

–*Who will win “Artist of the Year”? If you really love music, you could easily turn off the TV before hearing the answer to this misleading, irrelevant question.

–*On an extended version of the Beatles’ Abbey Road suite, Paul McCartney leads a star-studded jam session, including Bruce Springsteen, Joe Walsh, Dave Grohl, and others of a small handful of people the music industry hasn’t been awful to.

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After watching pop star Pink release her song “Fucking Perfect,” rock legend Jimmy Page announced that Led Zeppelin will release the uncut original version of “Stairway to Heaven,” now known as “Stairway to Fucking Heaven.”

Pink’s song has been released in two versions, the “clean” version of “Perfect” and then the “Fucking Perfect” version that has gained much traction on YouTube and other video sites.

“There’s a lady who’s sure, all that glitters is gold, and she’s fucking buying the stairway to fucking heaven,” sings Robert Plant in his inimitable overblown tenor.

“When I heard Pink sing ‘Fuckin’ Perfect,’ I knew that we had reached a new level of emotional honesty,” said Page. “Pink knows that to be perfect alone is not enough. She had to ratchet up the emotional intensity and make the song even more fucking perfect, if you will. I knew when I heard her blistering truth that the original vision of ‘Stairway’ had to be released immediately.”

Pink, 75% of whose songs deal with self-esteem issues, said she wanted to release the “fucking” version of her “Fucking Perfect” song because it was important to address the in stark terms the utter helplessness that so many of her fans feel, a deep internal wrenching pain she believes is illuminated better by the timeless two-syllable expletive which means “to have sex” and has etymological origins in Germany.

“If there’s a bustle in your fucking hedge row, don’t be alarmed now,” sings Plant. “It’s just a fucking spring clean for the fucking May Queen.”

Literary critic Harold Bloom now records 24 uses of “fuck” in “Stairway to Heaven,” and wondered if it were necessary.

“You forget that the word ‘fuck,’ liberating as it might be, should water down the sentiment a bit. Unnecessary adjectives tend to sap the strength of your prose. I would admonish Pink and Page and Plant that sometimes less is more.”

Page and Plant disregarded Bloom’s criticism.

“Yes there are two paths you can fucking go by, but in the long run. There’s still fucking time to change the road you’re on,” sang Plant, baring his Dionysian hippie stance, unencumbered by petty bourgeois morality that would keep him from singing “fuck, fuck, fuck” as much as he pleased.

According to the Billboard Hot 100 chart, Pink’s song has made her millions of fucking dollars. She says that it appeals to those wounded members of her audience who feel that nobody is fucking listening to them and treating them like fucking children when they’re just trying to do the best they fucking can.

“I wanted to tell the girls of America who are feeling self-hatred, maybe even feeling suicidal, that this is about them. They are not just perfect, they are fucking perfect. And by that I mean, don’t doubt I’m serious just because I’m saying it over and over and over.”

The trend has influenced not only music, but publishing; a slew of book titles are expected to hit the shelves next year, including, “Chicken Soup for the Fucking Soul,” “I’m Fucking OK, You’re Fucking OK,” and “Our Bodies Our Fucking Selves.”

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