Within the next month or so, Salon de la Guerre will be releasing two new albums. One is best described as an “art country” album. More on that later. The other is my first album dedicated to jazz and it’s mostly in the Miles Davis-John Coltrane mood, though there are a couple of curveball songs.
Why did I do this? Why do I keep straying from the garage rock that is Salon de la Guerre’s main order of business? Well, there are a few reasons. One is that playing around in different genres helps me innovate and come up with new ideas. Next, I had built up a collection of melodies that didn’t really fit into pop or punk or rock songs very well. After enough of them piled up, I decided to do the right thing with them.
Then there were a few mundane, practical reasons. As regular readers know, I’ve made a few short films; for years, I have had to hide one of my student works from 2006 because I had put a popular Louis Armstrong song on the soundtrack. It was going to be a huge burden to pay for the rights to this song every year, and so I tried to think of a way I could capture the spirit of the piece and make my own jazz song to save the film, “Scrabble Rousers,” from oblivion. I took a huge risk and tried to score it using my own saxophone playing (something I’ve done only a little of since high school). Once I had the sax in my hands, I thought I might as well go all in and record an entire jazz album.
Sorry for the long-winded explanation. The upshot is that I’m fairly proud of the result, which is called Hot Tears.
Attached is a song from the album, which is almost completed.
The 23rd album by Salon de la Guerre is now available in the racks of the virtual music stores of the world.
This week I hit a couple of milestones. I’ve reached one of those fun ages with a gawping new zero in it. And I’ve also released my 22nd album, containing my third symphony.
My 21st album, From Sour to Cinnamon, is now available on 
Beauty is Imperfection 